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CARVEDFRAME.COM

 

For more than two decades, I have owned an extraordinary carved gilt frame measuring approximately 69” × 54” × 6.5”, now adapted as a mirror.

What makes this piece unusual is not only its craftsmanship, but its documented provenance.

The frame was sold as Lot 126 in the liquidation auction of Portland’s historic Paramount Theatre (now the Arlene Schnitzer Concert Hall) during the March 24–25, 1975 auction that dispersed the theatre’s decorative furnishings and antiques.

The original auction catalog described it as:

“Hand carved (carved, not gesso) and gilded palace frame, circa 1840. From a Schloss outside Vienna Austria. Relatives kept ancestral portrait of royal figure.”

This website documents the known history of the frame, presents detailed photographs, and seeks additional information regarding its origin, original portrait, and journey to Portland.


Known Facts

Object: Carved gilt wood frame (later adapted as mirror)
Dimensions: 69” × 54” × 6.5”
Auction Lot: Lot 126
Auction: Paramount Theatre liquidation auction
Dates: March 24–25, 1975
Location: Portland, Oregon
Current Owner: Randy Thurman
Contact: randy@carvedframe.com



This object represent two intersecting histories:

* 19th-century European decorative arts
* Portland cultural history through the Paramount Theatre

The frame may be significant not only as a decorative object, but as a surviving artifact from one of Portland’s great movie palaces.



I am actively seeking information from:

* decorative arts historians
* antique frame specialists
* Austrian/German art historians
* Portland historians
* former Paramount Theatre staff or collectors
* museums or institutions interested in research or possible display

If you have information, please visit the Contact page.


The frame

A very large frame. 68" by 54" and very heavy with mirror. 
This is hand carved wood, no plaster, with every detail unique. 

This frame measures approximately 69 inches high × 54 inches wide × 6.5 inches deep.

At some point after its original use, the frame was adapted to hold a mirror rather than its original artwork or portrait.

The purpose of this page is to document the object itself as clearly as possible for historians, appraisers, curators, and decorative arts specialists.

The observations below reflect current visible evidence and are offered for research purposes.


General Description

Large carved and gilded decorative frame, presently configured as a mirror.

Features include:

* extensive hand-carved ornament
* mythological and grotesque decorative figures
* Renaissance-inspired strapwork
* scrollwork and foliate carving
* gilt surface with age-related wear and patina
* later rear structural modifications for mirror installation

The frame appears substantial in both weight and construction.

Decorative Style

The decorative program appears influenced by European Renaissance ornament, particularly motifs associated with:

* grotesque decorative carving
* classical revival design
* historicist decorative arts
* Renaissance Revival furnishings

Visible motifs include:

* human or mythological figures
* winged decorative forms
* scroll and acanthus ornament
* strapwork patterns
* symmetrical carved figural details

These stylistic observations suggest European historic revival influence.

Construction Details

Visible observations suggest:

* carved wood construction rather than molded composition ornament
* variation in carving depth and detail
* visible age wear consistent with prolonged handling and display
* later rear carpentry associated with mirror conversion
* replacement hanging hardware

The original auction catalog specifically noted:

“Hand carved (carved, not gesso)…”

This distinction may be significant.


MIRROR CONVERSION

Later Adaptation

The rear construction strongly suggests that the frame was modified after its original purpose.

Likely later changes include:

* mirror installation
* backing structure additions
* hanging wire hardware
* later fasteners

These modifications appear functional rather than decorative and likely do not represent original construction.

The 1975 Paramount Theatre Auction



The liquidation sale that documented the frame’s presence in Portland’s historic Paramount Theatre



In March 1975, Portland’s historic Paramount Theatre auctioned decorative furnishings, antiques, and other personal property as part of a major liquidation sale.

This auction provides the strongest documented provenance for this frame.

The object was sold as Lot 126.



The Paramount Theatre

The Paramount Theatre opened in Portland in 1928 as one of the city’s grand movie palaces.

Its interiors reflected the extravagant style of the era, with luxury decorative appointments, architectural ornament, and imported furnishings.

Features reportedly included:

* lavish public spaces
* decorative antiques
* ornate furnishings
* even fireplaces in restroom areas

As entertainment patterns changed in the 1960s and 1970s, the theatre transitioned away from its original use.

During this period, portions of its furnishings and decorative holdings were dispersed.

The building was later restored and is now known as the Arlene Schnitzer Concert Hall.


THE AUCTION

Documented Sale

Auction Name:
Antiques & Nostalgia at Auction

Location:
Paramount Theatre
1037 SW Broadway
Portland, Oregon

Dates:
March 24–25, 1975

This public auction dispersed decorative items from the theatre.


LOT 126



Original auction catalog entry for Lot 126



The frame appears in the auction catalog as Lot 126, described as:

“Hand carved (carved, not gesso) and gilded palace frame, circa 1840. From a Schloss outside Vienna Austria. Relatives kept ancestral portrait of royal figure.”

Handwritten notation appears to indicate a realized sale price of approximately $800.

This catalog entry provides the earliest currently documented provenance.

Catalog Language

Several details in the catalog wording are notable.

“Hand carved (carved, not gesso)”

This distinction suggests the catalog writer recognized a meaningful difference between:

* carved wood construction
    and
* molded composition/gesso ornament

This may indicate informed cataloguing rather than purely decorative description.


“Circa 1840”

This represents the auction catalog’s dating attribution.

Independent verification remains under investigation.


“From a Schloss outside Vienna”

This is the most intriguing provenance claim.

If accurate, the frame may have originated in an Austrian aristocratic or noble residence.

At present, the specific Schloss remains unidentified.


“Relatives kept ancestral portrait”

This suggests the frame may originally have held a significant portrait that was separated before the auction.

Identifying that portrait remains a major research goal.


PORTLAND CULTURAL SIGNIFICANCE

This frame represents not only a decorative arts mystery, but also a surviving artifact from one of Portland’s most iconic entertainment venues.

As such, it may hold significance in:

* decorative arts history
* Portland architectural history
* movie palace preservation history
* provenance research

Portland History


A surviving artifact connected to one of Portland’s great movie palaces





This frame is not only a decorative arts object—it is also part of Portland’s cultural story.


Because it was documented in the 1975 liquidation auction of the Paramount Theatre, it represents a surviving artifact from one of the city’s most iconic entertainment venues.



THE PARAMOUNT THEATRE STORY


A Grand Portland Landmark


Portland’s Paramount Theatre opened in 1928 as one of the city’s grand movie palaces.


Designed during the golden age of theatrical architecture, the building reflected the extravagance and optimism of the era.


Its interiors were known for elaborate ornament, luxury finishes, and decorative furnishings intended to create a sense of spectacle.


Accounts describe a remarkably lavish environment, including:


* richly decorated public spaces

* ornate furnishings

* theatrical decorative details

* fireplaces even in restroom lounges


The Paramount was designed not merely as a place to watch films, but as an immersive experience.





Changing Times


Like many great movie palaces, the Paramount faced changing entertainment patterns in the mid-20th century.


By the late 1960s and early 1970s:


* movie attendance patterns shifted

* large downtown theaters faced economic pressure

* the venue transitioned toward concert use and leased programming


During this period, concern reportedly arose that some of the theatre’s decorative contents were not being adequately protected.


This ultimately led to the March 1975 liquidation auction.



THE 1975 DISPERSAL


A Historic Sale


The March 24–25, 1975 auction dispersed furnishings, decorative objects, and antiques associated with the Paramount Theatre.


At the time, many pieces reportedly sold at modest prices relative to their historical or decorative significance.


The survival of documented items from that auction offers a tangible connection to Portland’s architectural and cultural history.


This frame appears to be one such survivor.



RESTORATION AND REBIRTH


The Arlene Schnitzer Concert Hall


Fortunately, the theatre itself survived.


After restoration, the building reopened as the Arlene Schnitzer Concert Hall, becoming one of Portland’s most important performing arts venues.


Today it remains a cherished landmark.


The frame documented on this site may represent a rare surviving object dispersed during the transition period between the original Paramount era and the theatre’s modern restoration.




More Than a Decorative Object


Even if the frame’s European provenance remains partly unresolved, its Portland history alone makes it notable.


It connects:


* European decorative arts

* Portland architectural history

* movie palace culture

* the preservation story of a beloved civic landmark


This dual identity is part of what makes the object so compelling.




“The frame may have begun in Europe, but its documented story intersects with one of Portland’s most iconic buildings.”

Please Email me.